Danese Milano transforms into a melting pot of creative languages. Thanks to the cultural and creative inheritance of the great masters and to the approach to production that combines know-how with experimentation, during this period the product range is extended not only by the type of products themselves but also by the sheer number of designers involved. The international names Crasset, Fukasawa, Guixè and Olivares are added to the list of well-known Italian designers already collaborating with Danese Milano. The time passed with this group of creative minds closed a multifaceted and experimental phase in the company’s history, which both broadened its approach to production and re-launched the brand on a global scale.
The productions of Matali Crasset have marked the Danese Milano catalogue of this period.
Naoto Fukasawa at Villa Danese while sketching some projects.
Eliott Erwitt imagined "Cane" a stick with light and acoustic signal. A poetic and fundamental object that rewrites the codes of the accompanying sticks.
Eliott Erwitt taking a photograph. For Danese Milano, the master of photography has created a famous communication campaign.
Ross Lovegrove shows Carlotta de Bevilacqua some ideas to use as prototypes.
The Villa Danese garden, in via Canova in Milan, during the Salone del Mobile is a meeting and convivial place where the company team meets professionals and enthusiasts.
Carlotta de Bevilacqua with Matali Crasset and Ross Lovegrove during a work session.